I understand I haven’t written about Into the Badlands in a while. Life happens, everyone–more than I’m letting on in this sentence. I’m planning on writing notes on the series as a whole after the Season Finale. But until then, let’s all ogle at Daniel Wu in amazing Into the Badlands costuming.
Maybe it’s just that Wu-as-Sunny just looks great when he’s dressed by the baronesses (Chau, whose color is white, and The Widow, whose color is blue). Baronesses seem to have a lot more style than the barons, and I wonder if that was a specific gendered choice by the Into the Badlands team.
Wu has redeeming qualities aside from his good looks an looking fabulous in tailored clothes. He’s the executive producer of Into the Badlands, for one, and he’s had a storied career in Hong Kong, starting out as a model and falling into acting after being discovered by film director Yonfan. After starring in 60 films, he’s become known as the “young Donnie Yen” (and indeed, it’d be amazing if an English-language film for the American market starring both Yen and Wu was made–I’d have a front row seat).
Voice your love for Daniel Wu below in the comments section!
Into the Badlands Season 2 | Episode 2, “Force of Eagle’s Claw” | Aired March 26, 2017
Let’s start at the ending this time around: Quinn is a creepy mo-fo.
I don’t think I have words that express just how twisted Quinn is. He’s like any twisted plantation owner turned up to 11. Heck, I think he rates even higher than 11. Quinn has serious problems and he needs some help. But at the end of the day, I don’t think he wants help: I think he’s forgotten about the existence of his soul for decades and now all he uses to fill his empty space is power. Right now, that power comes from having Veil and baby Henry at his side. Veil and Henry feed his ego and that empty, sad space inside him much more than all of his loyal clippers and revenge plan do, which says a lot about the power and strength of Veil herself, but it also says a lot about how, as twisted as Quinn is, one thing he seems to desperately want, in his own way, is a family to call his own.
This duality is probably why Martin Coskas loves playing Quinn; there are always a lot of layers to explore with the evil characters because the challenge is finding their humanity. I’m no actor, but I know that to play or write a good villain, you’ve got to find and honor that small kernel of humanity they still have somewhere.
Enough of my Actors Masterclass. Let’s get back to talking about how creepy Quinn is. What’s upped the creep factor this go-round is just how much he’s into Veil. Look, Veil is a woman everyone who’s in their right mind should love. I’ll even go so far to admit that the lengths Quinn will go to protect Veil and the baby is…cute?? Maybe I’m the one going a bit out of my head right now. Don’t get me wrong; seeing him kill that dude through his eye was horrifying. But seeing Veil taken care of, whether by Sunny or by Quinn, hits at a place in my mind that realizes that black women aren’t usually put in this kind of damsel position. That alone is something noteworthy. HOWEVER, Quinn’s adoration over Veil is just as unwanted as it was to see Scar make Sarabi his queen in The Lion King (or, for the Broadway fans, see Scar lust over Nala, which was even creepier since he watched her grow up). Sunny can’t come back for his woman soon enough.
Meanwhile, Veil’s just gotta bear it. She’s got tons of resolve, I’ll tell you that. But I sincerely hope she uses that sunroom as an escape. She needs get her climb on and get out of there ASAP!
Also, let’s talk about the fact that she’s the one that saved doggone Quinn in the first place. I mean, there’s a reason he’s head-over-heels for her; after all he’s done to her family, she still found it in her heart somewhere to save him. While that’s really frustrating for us as viewers who want nothing more than for us to see Quinn dead in the ground, that also says a lot about her character, and I don’t think Quinn takes that lightly. Again, she feeds his soul in a way absolute power can’t; she’s the light he’s probably been seeking for longer than he can remember or even realized. He wants to do whatever he can to keep that light around, which includes him hoping that he can keep her captive long enough for her to start having feelings for him. But Beauty and the Beast this is not. She’s going to escape. It’s just a matter of time now.
Speaking of a matter of time, Sunny’s doing his best to make it back to the Badlands, despite having his “ball and chain” Bajie stuck with him. While Sunny’s journey is at the crux of this show, this episode was much more about where everyone else is in their own personal journeys. We know Sunny’s going to make it back to the Badlands; wherever Veil is, he’s going to make sure he’s there. But aside from Sunny and Bajie’s escape from the head slave fighter, it was a little uneventful on the Sunny front. The one thing of note from his and Bajie’s time in the outskirts was that out of everything’s Sunny’s been through, out of every neck Sunny’s cracked and every heart he’s stabbed, the one thing that freaks Sunny out is having a dead rodent wiggled in his face, as well as the idea of eating said rodent. Really, Sunny? I mean, we all have our phobias…I’m afraid of butterflies, for example, but don’t really mind bees. But if you’re a killer, seems like your fear for things like rodents would be the last thing going on in your mind. But it’s funny, so it’s yet one more fact we know about our favorite Clipper. If you want to defeat Sunny, just throw a hamster in his face.
Meanwhile, poor M.K. is battling himself, literally. The Master is taking him under her wing because she knows he’s a special boy, the one who will answer everything. What exactly he’s “the one” for, I’m not sure yet; I don’t think we’ve been told. But he’s special, and in order for him to leave the Master’s care, he’s got to do battle with and conquer himself. However, his dark side is a force to be reckoned with, and he doesn’t give up easily. In fact, right now, he’s capable of killing M.K. The Master has to bring M.K. back before his dark side kills him. M.K.’s got a long way to go before he defeats himself.
One thing I like about M.K.’s time in training is that it highlights how his constant training isn’t so much about being able to defeat others; it’s about being able to bring the mind in concert with the body. I’ve been taking meditation more seriously, so I’m sure these platitudes are things others have known forever, but the art of movement is less about the external and more about the internal. What M.K.’s learning on the outside is supposed to help him on the inside, and usually, all of that training just results in learning that in order to calm the mind and really conquer it, you have to just let it do it’s thing. You can’t fight the mind; you can only observe it and accept it for what it is. That’s all M.K.’s learning—how to become one with himself.
Okay, my Iron Fist moment is over.
Finally, we see Lydia’s Baroness past come back to haunt her when she has to defend her father’s religious enclave from attackers. However, her father is acting very ungrateful. Or is he?
I mean, he is acting ungrateful from our point of view, but he’s also a staunch believer in his way of life, and that includes letting things happen as they are wont to do. If it was his destiny to die that day, he was ready to meet it. He also doesn’t believe in killing, something he said is a privilege only allowed to the gods. So, Lydia has struck out on two fronts, all because she tried to save her father. Kinda messed up.
She tries reasoning with Ryder to have him protect his grandfather’s people, and he…agrees?? In any case, he definitely doesn’t want Lydia’s help in his life anymore. According to him, he’s a great baron and has lasted longer than Lydia gave him credit for. But I’d say he’s only lasted as long because of whatever help he’s received from Jade, who’s crafty in her own way. He’s not ruling things all by his lonesome. I say we can expect a truce to happen between him and his mother at some point. He’s going to need her help at some point, and I can’t wait for the groveling to happen.
Final notes:
• Can we talk about how attractive Sunny looks as a wanderer?
Between the Clipper look and this look, I’ll take this look any day. I’ll also take this look with the durag.
Knowing Daniel Wu’s intense love for hip-hop culture, did he have any say on the this sartorial decision? There are several types of head coverings people wear when working in boiler rooms or while doing ironwork, and Sunny just so happens to be wearing the durag version? Interesante, show. Muy interesante.
Of course, I won’t say no to a clean-cut Sunny, either. But he could clean up and keep the hair. That’d be great.) All of the men look good on this show, though, even Quinn (yes, I said it).
• I hope M.K. sports his monk-trainee hair for the rest of his life. I need to learn how this hair is done.
• Do you think Sunny would ever make a pact with The Widow once he figures out what she’s trying to do? I think he’d go along with a Baron-free world after everything he’s been through.
• There was a wall at the end of the episode. Does this mean that America finally built Trump’s wall after all? Or has Into the Badlands been set in China all this time?
What did you think of the episode? Give your opinions in the comments section below!
