Pirelli has outdone themselves this year with their exclusive Pirelli calendar. The pity is that none of us plebians can get a copy.
This year, the innovative automotive and cycling tire company used Alice’s Adventures in Wonderland as its inspiration and, in a stroke of genius, the company decided to use an all-black cast.
The cast, ranging from entertainment and fashion figures to social activists, were styled by Edward Enninful (now serving as British Vogue’s Editor-in-Chief) and shot by English photographer Tim Walker.
The cast includes (according to the press release):
Adut Akech as The Queen of Diamonds; Adwoa Aboah as Tweedledee; Alpha Dia as Five-Of-Hearts-Playing-Card Gardener; Djimon Hounsou as The King of Hearts; Duckie Thot as Alice; Jaha Dukureh as Wonderland Princess; King Owusu as Two-Of-Hearts-Playing-Card Gardener; Lil Yachty as The Queen’s Guard; Lupita Nyong’o as The Dormouse; Naomi Campbell as The Royal Beheader; RuPaul as The Queen of Hearts; Sasha Lane as The Mad March Hare; Sean “Diddy” Combs as The Royal Beheader; Slick Woods as The Madhatter; Thando Hopa as The Princess of Hearts; Whoopi Goldberg as The Royal Duchess; Wilson Oryema as Seven-Of-Hearts-Playing-Card Gardener; Zoe Bedeaux as The Caterpillar.
When I saw these photos, I certainly saw shades of traditional fashion styling, but I also saw veiled, if unintentional, callbacks to late ’90 music video filming techniques, such as the slight fish eye lens, Hype Williams-esque quality some of the images have, the boldness of the costumes chosen, and the sheer attitude that jumps from the images. Here’s some images from the calendar, posted to Pirelli’s Instagram page (click picture to see image on Instagram):
Couldn’t Pirelli lift their “not for sale” rule on their calendars just this once? I know tons of us would love to own this one. Go to pirellicalendar.pirelli.com to learn more.
What do you think about these pictures? Give your opinions in the comments section below!
Who knew Twitter would turn into the next Hollywood casting office! It’s amazing that this tweet about the two stars at a 2014 Miu Miu fashion show:
Rihanna looks like she scams rich white men and lupita is the computer smart best friend that helps plan the scans https://t.co/PhWs1xd3nj
— kateria ? (@artthekid) April 18, 2017
launched this result:
— Entertainment Weekly (@EW) May 22, 2017
According to Entertainment Weekly:
After a dramatic negotiation session at the Cannes Film Festival, Netflix has nabbed a film project pairing Grammy winner Rihanna with Oscar winner Lupita Nyong’o, in a concept that began as a Twitter sensation. Ava DuVernay (Selma) will direct, and Issa Rae (Insecure) is writing the screenplay.
According to sources, Netflix landed the project in a very aggressive bid, beating out multiple other suitors.
The film will go into production in 2018 after DuVernay finishes her latest project. I, for one, is excited for this film and I can’t wait to see it when it comes to Netflix. Twitter–particularly #BlackTwitter, which started the whole movie talk–is excited, too:
Twitter users have also continued the casting train by providing Ava DuVernay tons of suggestions:
— Assata Shake Dat Ass (@Unaamorcitaa) May 23, 2017
Bring @joanneprada to show the characters how to scam, in the movie. ??
— Sylvain Curatola (@SylvainCuratola) May 22, 2017
I need Lupita and Rihanna to scam Casey Affleck in this new Netflix movie.
— Ebba (@illestbaba) May 22, 2017
— ??♂️avier Harding (@iamxavier) May 22, 2017
— Nek? (@sweetneka_) May 23, 2017
— KEESH! (@_kcnvrmnd) May 23, 2017
— Nichole ✨✨✨ (@tnwhiskeywoman) May 23, 2017
— threelilbirdsss ? (@threelilbirdsss) May 23, 2017
— Martian Manhunter Jr (@BlckBolex) May 22, 2017
As Shadow and Act brought up, the big question is whether the person whose tweet originated this idea will get paid. “This could be one of those precedent-setting situations,” wrote Shadow and Act’s Tambay Obenson. If there is payment on the way, that means that the floodgates have opened for tons of films coming from Twitter, with tons of creators getting some steep royalty checks.
What do you think about this film? Give your opinions in the comments section below!
I love the new direction Star Wars is taking with The Force Awakens and now Rogue One: A Star Wars Story. I even support the fact that Rogue One is rumored to be the first Star Wars film to not begin with the classic Star Wars preamble crawl. Rogue One is also running with the diverse platform The Force Awakens started, featuring a woman as the main character (Felicity Jones) and a main ensemble cast featuring Forrest Whitaker, Riz Ahmed, Diego Luna, Donnie Yen, Fares Fares, Jimmy Smits, James Earl Jones (as the voice of Darth Vader, of course), and Genevieve O’Reilly.
But for the most part, Star Wars has only been killing it when it comes to white women and men of color. Once again, it’s time to ask the age-old question: What about the black women?
In the latest Rogue One trailer, this lovely lady makes an appearance:
But do we get to learn more about her? I’m already wanting to know the rest of her story and who she is in the resistance.
What’s the worst part of this erasure is that it’s not like Star Wars hasn’t prominently featured black women before. It’s just that the women are usually in the written tales of the franchise. For instance, Imperial naval officer Rae Sloane, who appears in various Star Wars books, her first appearance being A New Dawn.
And Sana Starros, Han Solo’s self-proclaimed former wife, is featured in the Marvel’s Star Wars comics, first appearing in Star Wars 4: Skywalker Strikes, Part IV.
But Disney and Lucasfilm might have not taken a prime opportunity to actually cast Sana or any other woman of color as Han Solo’s opposite in the upcoming Han Solo spinoff film. Emilia Clarke is set to play a prominent role in the Han Solo film, a role that Tessa Thompson, Zoe Kravitz, and Adria Arjona (Guatemalan/Puerto Rican) might have auditioned for. According to The Hollywood Reporter, it’s currently unclear if Clarke’s role is the same role the other actresses tried out for, if the film will feature multiple women. As it stands right now, though, Clarke’s is the only name we’ve heard since the news of Alden Ehrenreich and Donald Glover landing the Han Solo and Lando Calrissian roles, respectively. That doesn’t bode well for black female Star Wars fans who have been waiting to see themselves represented in a big way in what’s supposed to be a highly diverse intergalactic universe.
PUT SANA STARROS IN THE HAN SOLO MOVIE pic.twitter.com/CwL3epeiOH
— Viktor T. (@wondermann5) November 27, 2016
Also something that’s annoyed many a black woman fan—the fact that the one black woman we do have in the new Star Wars universe, Lupita Nyong’o, is playing Maz Kanata, a character that is completely CGI. (A similar annoyance with black men in sci-fi can be read about in this companion article concerning Idris Elba’s role in Star Trek Beyond.)
Another strike against Lucasfilm and the Star Wars universe is how often black women and other women of color are often cast as Twi’leks, whose women are often enslaved as sex objects. To quote Wookipedia:
“Since female Twi’leks were regarded as graceful and beautiful beings, many of them were forced into a life of slavery at the hands of the galaxy’s wealthy and powerful.”
It’s more than a little disturbing that while women of color are all but absent in the Star Wars universe, they are readily cast as women who are sold into a sexual slavery.
It’s even more disturbing that Oola, the only sex slave coded as a black woman due to the actress, gets killed moments after we see her on screen in Return of the Jedi. There could have been a better outcome for her instead of just being used as disposable eye-candy.
Meanwhile, the Star Wars universe is proliferated with brunette white female protagonists:
This isn’t to disparage against these actresses, since I like all of them. But I’m trying to prove a point. Star Wars has a predilection, a tradition, in fact, of casting brunettes, when brunettes don’t signify all of woman-kind. If Star Wars is really going to be the franchise that puts women first, it’s got to put all women first. Black women and women of color in general have been historically forced to identify with women who do not look like us or experience life like us. You’d think that in a galaxy far far away, it’d be all too easy to find women of color, and not just women of color who happen to be sex slaves. In a way, Star Wars reiterates a fact of life that has been apparent to many women of color; we’re usually more palatable heard and not seen, and if we are seen, then we have to be as vampy and erotic as possible in order to matter. That’s not the kind of message Star Wars needs to bring into something as uplifting and inspiring as a sci-fi space opera that preaches equality for all people.
Am I still going to see Rogue One? Of course. Supporting it means I’m supporting the actors of color who are prominently featured. But my dollars will hopefully act as a means for Star Wars to increase their focus on diversity. Hopefully, this will mean that someday soon, we’ll finally have a sistah in space.
There’s a couple of big ticket items to discuss! Topping the list is Star Wars: Episode VIII, Ava DuVernay’s projects, and some trailers from Roots and Underground.
Star Wars: Episode VIII
The biggest news of this week is the beginning of filming for Star Wars: Episode VIII! John Boyega, who just won a Rising Star BAFTA the night before filming, tweeted out this declaration Monday.
First day on Star Wars 8 complete ! We must face them! Fight them!
— John Boyega (@JohnBoyega) February 15, 2016
Other big news surrounding Episode VIII is the additional casting. Coming to the already diverse cast list are Benecio Del Toro, Laura Dern and newcomer Kelly Marie Tran, who has worked with Sarah Hyland in XOXO and has various TV credits, including TruTV’s Adam Ruins Everything and NBC’s About a Boy.
Star Wars released this official production announcement, which is also marks the start of the Star Wars hype machine once again.
Ava DuVernay’s film and TV projects
Ava DuVernay is doing major things right now! First, she’s working with Oprah on the OWN adaptation of Queen Sugar. The first table read happened Sunday, and DuVernay chronicled it on Twitter:
— Queen Sugar (@QueenSugarOWN) February 15, 2016
Also, DuVernay is in contention to direct two films: the film adaptation of Madeleine L’Engle’s A Wrinkle in Time (a very creepy book, if you ask me), and Intelligent Life, a sci-fi thriller potentially starring Lupita Nyong’o. The latter film is what’s exciting me the most, since black women in sci-fi is still a revolutionary thing to see (Nyong’o also’s got her sci-fi scorecard filled up thanks to Star Wars, but even in that, she’s simply voicing a character, not appearing as herself on screen, something a lot of viewers took issue with). But all of this directorial news is encouraging, given the #OscarsSoWhite climate we’re in. DuVernay’s upcoming jobs are just a drop in the bucket when it comes to Hollywood fixing its diversity-behind-the-camera problems, but her opportunities do show that 1) Hollywood can act responsibly when it feels like it; it’s ineffectiveness is just mostly due to laziness and status-quo thinking over anything and 2) that the talent of people of color (in this case, women of color) can and will be recognized, despite the fractured systems that were created to keep them out and on the sidelines.
Roots and Underground
The trailers for History’s Roots remake and WGN’s upcoming slave series Underground have left me impressed, and I’m sure you’ll be just as impressed by them as well. Below are the trailers as well as the Underground first look. On a shallow note: Kunta Kinte’s turbans are my favorite things ever. Roots premieres Memorial Day; Underground premieres March 9.
The Danish Girl
If you loved The Danish Girl, it’s coming to DVD/Blu-ray March 1. If you want to rewatch it even earlier than that, the digital download will be available Feb. 16.
Here are the pertinent deets via Universal Pictures’ press release:
With love comes the courage to be yourself in The Danish Girl, coming to Digital HD onFebruary 16, 2016, and Blu-ray™, DVD and On Demand on March 1, 2016, from Universal Pictures Home Entertainment. Inspired by the lives of Lili Elbe and Gerda Wegener, the remarkable love story is “a cinematic landmark,” according to Variety’s Peter Debruge. The Danish Girl on Blu-ray™ and DVD comes with an exclusive behind-the-scenes featurette about the making of the film. The Focus Features release is nominated for four Academy Awards® including Best Actor (Eddie Redmayne), Best Supporting Actress (Alicia Vikander), Best Costume Design (Paco Delgado), and Best Production Design (Production Designer, Eve Stewart; Set Decorator, Michael Standish).
Academy Award® winner Eddie Redmayne (The Theory of Everything) and Academy Award® nominee Alicia Vikander (Ex Machina) star for Academy Award®-winning director Tom Hooper (The King’s Speech and Les Misérables). In the 1920s, a strong and loving marriage evolves as Gerda Wegener (Vikander) supports Lili Elbe (Redmayne) during her journey as a transgender woman. Through the other, each of them finds the courage to be who they are at heart. “Eddie Redmayne and Alicia Vikander are sensational!” declares Access Hollywood’s Scott Mantz, while Debruge of Variety raves, “Redmayne gives the greatest performance of his career.”
Also starring Ben Whishaw (Skyfall), Sebastian Koch (Homeland), Amber Heard (Zombieland), and Matthias Schoenaerts (Far from the Madding Crowd), The Danish Girl is a moving and sensitive portrait that Lou Lumenick of The New York Post calls “a remarkable and timely story.”
BLU-RAYTM AND DVD BONUS FEATURE:
The Making of The Danish Girl – Eddie Redmayne, Alicia Vikander, Tom Hooper, and others on the filmmaking team share some of the creative processes that enhanced the beauty of the movie.
|Want to read more about diverse entertainment? Read the February issue of COLOR BLOCK Magazine!|
What do you think of these stories? Give your comments below!
TONS of Oscar news, I tell ya! Tons of it! The battle for diversity in the Oscar nominations has gotten bigger than anyone thought it would get (including me, which might surprise you—I vacillate between cynicism and optimism) . Here’s what’s been happening so far.
•Will Smith will not attend the Oscars after all. You can read more about his comments at Entertainment Weekly, but just know that during his Good Morning America exclusive he said these points: 1) he didn’t know about his wife’s plan to release a video, 2) he feels his wife would have made a video whether or not he was nominated (despite his concession that perhaps the lack of a Concussion nomination was the catalyst for Pinkett Smith’s feelings), and 3) this issue is about more than him and Concussion; it’s about the whole industry.
• Mark Ruffalo heavily weighed not going to the Oscars over the course of Thursday. First, he said to BBC News that he was considering joining the boycott, saying, “I woke up in the morning thinking, what is the right way to do this? Because if you look at Martin Luther King’s legacy, what he was saying was, the good people who don’t act are much worse than the people, the wrongdoers that are purposely not acting and don’t know the right way.” Later on Twitter, Ruffalo gave his final decision and his reasoning:
To clear up any confusion. I will be going to the Oscars in support of the victims of clergy Sexual Abuse and good journalism. #Spotlight
— Mark Ruffalo (@MarkRuffalo) January 21, 2016
I do support the Oscar Ban movement’s position that the nominations do not reflect the diversity of our community.
— Mark Ruffalo (@MarkRuffalo) January 21, 2016
The Oscar Ban movement reflects a larger discussion about racism in the criminal justice system.
— Mark Ruffalo (@MarkRuffalo) January 21, 2016
Correction. I hope the Oscar Ban movement opens the way for my peers to open their hearts to the #BlackLivesMatter movement as well.
— Mark Ruffalo (@MarkRuffalo) January 21, 2016
50 Cent and Tyrese Gibson want Chris Rock to boycott the Oscars, as reported by The Hollywood Reporter. But personally, I want Chris Rock to host and slay the game. Embarrassing the Academy on live television is the type of righteous pettiness I can get behind.
• Viola Davis, Lupita Nyong’o, and Quincy Jones are among other actors who are calling for more diversity in the Oscar voting pool. Davis, who was nominated for her role in The Help (a role indicative of the kind of roles the Oscars nominate for black people), said that the Oscar issue is indicative of a much larger societal problem. To quote The Hollywood Reporter:
“It’s not the Oscars. The Oscars are a symptom of a much greater issue and that’s the issue of the Hollywood movie-making system. How many more movies are being made that have this in it,” she asks as she points to the color of her skin. “More films need to be made wher we can shine. That’s the bottom line. The opportunity does not match the talent. There needs to be more opportunity, that’s just it. And you have to invest in it.”
Nyong’o, who won for her role in 12 Years a Slave (a slave role, another type the Oscars love for black people), posted this on Instagram:
Jones, who is the first black person to be added to the Academy board of governors, said to the National Association of Television Program Executives conference Wednesday that said he intends to address the diversity issue with the AMPAS board next week. “I’m going to ask the board to let me speak for five minutes on this lack of diversity. We’ve got to find a solution. It’s been going on for too long,” he said, according to Variety.
Brie Larson threw her support behind #OscarsSoWhite with this Instagram post:
Reese Witherspoon also called for more attention to the nominations outrage, writing on Facebook (and lauding TIME Magazine):
• Other actors are furthering the diversity discussion by talking more about the industry at large. Idris Elba recently spoke to British Parliament about the lack of roles for black British actors, saying “Talent is there, opportunity isn’t, [a]nd talent can’t reach opportunity”(you can read the transcript here). On Twitter, Elba called the speech “the mot important speech I ever made.”
— Idris Elba (@idriselba) January 18, 2016
Nate Parker, who is playing slave rebel leader Nat Turner in the upcoming film Birth of a Nation (a film he wrote, produced and directed), said that too many of the roles for black men lack “integrity.” “As a black man, you leave auditions not hoping you get the job but wondering how you explain it to your family if you do,” he said to The Hollywood Reporter. “Historically, and this is truly my feeling, generally speaking we as black people have been celebrated more for when we are subservient, when we are not being leaders or kings, or being in the center [of] our own narrative driving it forward.”
Dustin Hoffman told BBC News (as reported by The Hollywood Reporter) that that lack of inclusion with Oscar noms is indicative of America’s racist history, calling it “subliminal racism.”
“In our country, there’s a subliminal racism, and it’s been there…the end of the Civil War didn’t change that,” he said on the red carpet of the National TV Awards. “It’s only been 200 years, this is just an example of it.” He also said, “Other than black entertaiiners being nominated, there’s a bigger problem with young black individuals being killed on our streets by police. That’s a bigger problem.”
• The Los Angeles Times has also addressed that it’s not just black people denigrated by the lack of Oscar nominations and the industry; the Times‘ Susan King points out that it’s been 54 years since a Latina won an Oscar, and an Asian actress hasn’t won in 58 years. Ben Johnson, of Cherokee and Irish descent won an Oscar in 1971, and no other indigenous person who was nominated for an Oscar has won since.
• Some of the Oscar voters themselves have come out to The Hollywood Reporter on the defensive, with some saying that they feel it’s unfair to imply that they are racist (even though no one applied the word “racist” and the consensus doesn’t account for a more nuanced reading of the outrage fans and other Oscar voters have). Others have also said that the battle should be with the industry, not with them.
• Despite what some of the offended Oscar voters are saying, many of the current and former Academy brass are working on getting their members in check. Academy CEO Dawn Hudson had an op-ed published in The Hollywood Reporter, stating that this moment in time is an “inflection point.” To quote a piece:
“There’s not one part of the industry that doesn’t need to be addressed, and it’s been this way for 25 years. The needle has hardly moved. It’s cultural, it’s institutional, it’s our society at large, it’s our education system–all of it–before you get to an industry that’s supposed to reflect this beautiful world. And the indstury has been building up over a very log time, starting with white men running the studios who hire other people who look like them. It hasn’t changed that much, and it won’t until there’s a concerted effort on every single front: talent, the executives in the studios, the people we mentor.”
The former Academy president, Hawk Koch, wrote in a passionate open letter to the Hollywood industry (published in The Hollywood Reporter) that a boycott won’t solve anything, but changing the industry will. Quoting the letter:
“…[C]learly our industry needs to do more to find and develop talent in all the crafts. We must work with the Unions and the Guilds as well as schools across the country to identify and cultivate the talent of African Americans, Hispanics, Asians, women, LGBTs, the disabled an all under represented gropus. And then we have to allow them access to every single aspect of filmmaking.”
All of this and more will probably be discussed this Tuesday when AMPAS will meet for a routine meeting next Tuesday. One of the governors told Entertainment Weekly that “[i]t promises to be a long and adventuresome night.”
News about #OscarsSoWhite is still developing as we speak, so we’ll see what happens in the coming days.