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Representation count: What “Rough Night” and “Girls Trip” mean for you

By on Tuesday, March 14, 2017
Sony Pictures, Universal Pictures

The upcoming film Rough Night is being marketed as the next feel-good comedy for raunchy feminist women looking for a film that portrays women as “women.” Starring Scarlett Johansson (who is currently taking an L for Ghost in the Shell), Zoë Kravitz, Kate McKinnon, Demi Moore, Colton Haynes, Jillian Bell, Ty Burrell, Dean Winters, Ilana Glazer, and Karan Soni, the film follows a group of best friends who meet in Miami Beach to celebrate one of their own’s wedding, only to somehow kill a male stripper. The film will be in theaters June 16.

Here’s the red band trailer for you see the film for yourself:

Are you on the fence about seeing this movie? If you need help getting your mind together, here are some things we can glean from the trailer and Twitter chatter that might help.

The racial representation is low: Kravitz and Soni are the only people of color in the main cast (I guess, if you want to be technical about, you can include Ty Burrell since he did find out he has black ancestry…but he’s as black as I am East Asian. We’ll still welcome him in the Racial Draft, though.) It’s a shame that, as much as Kravitz has talked openly about racism in the casting office, she’s still relegated to being “the black friend” in a movie. There’s no telling what Soni’s character “Raviv” does. But one can assume he’s not a major character.

Not mentioned in this rundown is Enrique Murciano. He could very well be a part of the main cast, but as of this post, his character hasn’t been named on IMDB, which points in the direction of him being a minor character. However, we’ll have to see once the film is released to theaters.

The fat jokes are many, just in the trailer: So, the trailer spoils for us that Jillian Bell’s character Alice is the one who kills the stripper by basically jumping on his lap, but actually landing on his neck, with the brute force propelling the poor guy on his back, where his head hits the hard tile floor, causing a fatal brain (and possibly neck) injury. Quite gruesome. But what’s also gruesome is that the death is played as the punchline to the age-old joke of the plus-size woman being somehow grotesque, foolish, and less-than the other skinnier women she’s surrounded by. It’s no mistake that the one getting married is Johansson, not Bell.

You can tell who’s the lead woman in charge, can’t you? Everyone else has some minor or major “difference” with them.

Minor gay representation in the cast, no word on their characters’ sexualities: We do have out actors Haynes and McKinnon as a part of this film, but their characters are probably straight, if we go by Hollywood history.

The fact that the film’s jokey premise rests on a male stripper being brutally killed while doing his job: The real victim of this story aren’t the women at the bachelorette party; it’s the dude who was doing his job that night. I know the film is trying to pull a Weekend at Bernie’s thing, but I don’t think storylines like that are going to fly nowadays, especially since the guy at the center of this story is an innocent guy just trying to make a living. At least Bernie was in with the mob! He knew the risks! (Not that his being a criminal precludes he should die, but you get what I’m saying.)

Look, strippers have lives too, and his life should be given some sort of acknowledgement instead of just using him as a prop to advance the story.

Twitter isn’t really feeling this film for that reason:

https://twitter.com/etherealbabyy/status/840008636600524802

Refinery 29 has more on why folks are upset.

“First thing’s first: Strippers are people, and sex workers unfortunately have to tirelessly remind people of this over and over. ‘Sex workers are very marginalized groups of people who don’t have the same workplace safety and rights as other workers—and we get murdered a lot,’” says Arabelle Raphael, a porn performer and sex worker in Los Angeles. ‘Our lives are seen as disposable.’ A long-term mortality study on sex workers found that active sex workers have a mortality rate of 459 per 100,000 people—to put that in perspective, the general public mortality rate is around 1.9 per every 100,000 people.”

In short, this film just might become another L Johansson will have to live with. She certainly is getting red on her film ledger, indeed.

As if to act as a counter, Girls Trip will be hitting theaters July 21. The film, starring Queen Latifah, Jada Pinkett Smith, Regina Hall, Tiffany Haddish, Kofi Siriboe and Larenz Tate, features a group of girlfriends who go on a road trip to the annual Essence Festival in New Orleans. Along the way, they rediscover their friendship while getting into all kinds of romantic and wild misadventures. Also: no male strippers get killed.

Here’s the red band trailer for Girls Trip:

So what’s in this film for you?

An all-black main cast: We don’t have to worry about diversity counts in this cast. Us black people are covered. And, if you’re an ally looking to support a black cast, you can’t find a better one. Not only do you have OGs like Queen Latifah, Pinkett Smith, Hall, and Tate in the cast, but you also have relatively new faces like Haddish (who has been around for a while, but is still in the up-and-coming set) and Siriboe, who has made waves on the OWN hit show, Queen Sugar. Also, as the trailer shows, Morris Chestnut is also in the mix. There’s plenty for everyone!

No word on LGBT representation: We’ll have to see when the movie comes out.

The film is co-written by Kenya Barris: We love his writing on black-ish, and his funny writing is all over this film. Which means:

The trailer is laugh-out-loud funny: If just the trailer can make me laugh, then I’m sold. I didn’t laugh once in Rough Night’s trailer, and that’s not just because I was already side-eyeing the film. If there were some actually funny moments, I would have laughed; if something’s funny, I can’t not laugh. But I didn’t So, here we are.

It actually feels like a good time: This feels like a movie you want to go with your good girlfriends to see and make a night of it. This is definitely one of those films you go watch, go to dinner afterwards, then possibly go back to one of your friends’ house and drink wine and gossip (I write as if I drink wine…I’m just going off of what the Scandal and How to Get Away with Murder commercials tell me). In any event, it looks like great fun for the adult set, whether you take your friends, your significant other, or your adult siblings.

This looks they’re genuinely having a good time, right? I want to be a part of this friend group. (More than likely, I’d be Jada Pinkett Smith’s character.)

What do you think about Rough Night? Give your opinions below!

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#OscarsSoWhite: The Conversation Continues, More Actors Speak Out

By on Tuesday, January 19, 2016

Last week, the Oscar nominations came out, and people were livid. A week later, people have gone from just “livid” to “activated by anger.” Injecting my personal opinion for a moment: I’d say being activated by anger is a much more effective state of being rather than just being outraged. Now that folks have become fueled by their disappointment, it seems like it’s finally become inevitable that the Oscars must change (mostly because they’re being forced to change). Here’s what’s happening so far.

•Spike Lee, Michael Moore and Jada Pinkett Smith are boycotting the Oscars. Lee put out a statement on Instagram:

#OscarsSoWhite… Again. I Would Like To Thank President Cheryl Boone Isaacs And The Board Of Governors Of The Academy Of Motion Pictures Arts And Sciences For Awarding Me an Honorary Oscar This Past November. I Am Most Appreciative. However My Wife, Mrs. Tonya Lewis Lee And I Will Not Be Attending The Oscar Ceremony This Coming February. We Cannot Support It And Mean No Disrespect To My Friends, Host Chris Rock and Producer Reggie Hudlin, President Isaacs And The Academy. But, How Is It Possible For The 2nd Consecutive Year All 20 Contenders Under The Actor Category Are White? And Let’s Not Even Get Into The Other Branches. 40 White Actors In 2 Years And No Flava At All. We Can’t Act?! WTF!! It’s No Coincidence I’m Writing This As We Celebrate The 30th Anniversary Of Dr. Martin Luther King Jr’s Birthday. Dr. King Said “There Comes A Time When One Must Take A Position That Is Neither Safe, Nor Politic, Nor Popular But He Must Take It Because Conscience Tells Him It’s Right”. For Too Many Years When The Oscars Nominations Are Revealed, My Office Phone Rings Off The Hook With The Media Asking Me My Opinion About The Lack Of African-Americans And This Year Was No Different. For Once, (Maybe) I Would Like The Media To Ask All The White Nominees And Studio Heads How They Feel About Another All White Ballot. If Someone Has Addressed This And I Missed It Then I Stand Mistaken. As I See It, The Academy Awards Is Not Where The “Real” Battle Is. It’s In The Executive Office Of The Hollywood Studios And TV And Cable Networks. This Is Where The Gate Keepers Decide What Gets Made And What Gets Jettisoned To “Turnaround” Or Scrap Heap. This Is What’s Important. The Gate Keepers. Those With “The Green Light” Vote. As The Great Actor Leslie Odom Jr. Sings And Dances In The Game Changing Broadway Musical HAMILTON, “I WANNA BE IN THE ROOM WHERE IT HAPPENS”. People, The Truth Is We Ain’t In Those Rooms And Until Minorities Are, The Oscar Nominees Will Remain Lilly White. (Cont’d)

A photo posted by Spike Lee (@officialspikelee) on

And Pinkett Smith put out a video suggesting that POC actors create their own form of recognition outside of the Oscars. (Also: yes, I know about Janet Hubert’s—aka Aunt Viv from The Fresh Prince of Bel-Air—video “discussing” Pinkett Smith. No, I’m not talking about it; I’d recommend going to Awesomely Luvvie for a hilarious play-by-play of the video).

Snoop Dogg backed up Pinkett Smith’s call to boycott, saying in a very succinct way, “Fuck the Oscars, fuck the Grammys,” saying how the “old slavery bullshit-ass awards show” model and the Hollywood industry takes minority culture without acknowledging where the culture came from.

Moore told The Wrap that he’s “happy” to join the boycott, saying, “I thought about this all day, and I don’t plan to go to the show, I don’t plan to watch it and I don’t plan to go to an Oscar party. And I say that as a proud member of the Academy, as someone who still sits on the executive board [of the Documentary Branch], as someone who knows full well that [AMPAS president] Cheryl [Boone Isaacs] and [CEO] Dawn Hudson are doing their best to fix the situation.” He also said that having no diverse nominations two years in a row is “crazy,” and that “if it will help to lend my name to what Spike and Jada are doing, I’m hoping to be a symbolic participant in this [boycott].”

Al Sharpton is also calling for a boycott, so the situation right now is fluid, probably right up until the Oscars this February. 

• Numerous stars are speaking out against the Oscars’ all-white nominations, including Straight Outta Compton producer Will Packer, who said to his Academy colleagues “WE HAVE TO DO BETTER. Period.”

I want to congratulate all of the Academy Award nominees. These people are quite deserving of being recognized as the…

Posted by Will Packer on Friday, January 15, 2016

George Clooney told Today, “I think African Americans have a real fair point that the industry isn’t representing them well enough.” He also talked about how women and Hispanics aren’t getting recognized enough in the industry as well. “I don’t think it’s a problem of who you’re picking as much as it is: How many options are available to minorities in film, particularly in quality films?”

Don Cheadle joked that the only job he’d be able to have at the Oscars is parking cars:

and David Oyelowo has sounded off on the Oscars, saying during an evening honoring Boone Isaacs, “This institution doesn’t reflect its president and it doesn’t reflect this room. I am an Academy member and it doesn’t reflect me, and it doesn’t reflect this nation,” he said at the King Legacy Awards. “The Academy has a problem. It’s a problem that needs to be solved,” he said. He spoke about meeting with Boone Isaacs after Selma, discussing what went wrong during last year’s nominations (as you might remember, Selma was also at the center of nomination snubbing controversy). “We had a deep and meaningful [conversation]. For 20 opportunities to celebrate actors of color, actresses of color, to be missed last year is one thing; for that to happen again this year is unforgivable.” He, like everyone who has commented on this, expressed support for Boone Isaacs and the hope that she continues the work needed to get the problem fixed.

• Boone Isaacs herself issued a longer statement after her initial comments about the Oscar nominations. The comments, below, feature an intense expression of getting the ball rolling even faster.

Overall, the focus has been primarily on black actors and filmmakers being recognized, but let’s not forget all of the other minorities (race, gender, sexual orientation) that haven’t been acknowledged in film for so long, if ever. For instance, The Revenant features First Nations actors, but the film itself isn’t primarily following the story of a First Nations person; it’s following Leonardo DiCaprio. Also, there hasn’t been a single American film featuring an Asian lead or Asian cast nominated, ditto for American-made Hispanic and Spanish films. Also don’t forget that films like Tangerine, which features trans women of color, didn’t get a nod, while an establishment film like Carol and The Danish Girl did, even though the latter two films do represent otherwise overlooked stories.

In short, the Academy has to learn that a human being doesn’t just fit into one mold. Stories that are recognized need to show humanity in all its complexity; a trans woman or man of color wants to see themselves on screen just like an Asian woman who is also a lesbian or a black straight man who is also part Native American. There are so many intersections in a person’s life, and it makes too much sense that the film and TV industry represent that and recognize that for its achievement. TV has made great strides this year, and diverse TV of all kinds were given well-deserved accolades. It’s time film get on the same pioneering path TV has been traversing, and if they don’t want their bottom line to dwindle, they’d better do it soon.

The throughline of the conversations this time around is that minorities don’t have to give our money to the film industry if we don’t want to; we can take our talents and dollars and reinvest in us, just as Pinkett Smith said in her video. That idea was the throughline of Ryan Coogler and #BLACKOUT’s #MLKNOW event. A tool of revolution is an economic boycott, and if push comes to shove, things just might come to that if Hollywood’s not careful.

Related articles:

Who’s Boycotting the Oscars So Far—And Who’s Just Mad (The Wrap)

Oscars 2016: David Oyelowo and Don Cheadle join diversity critics (BBC News)

Diversity in Hollywood: Here’s What Critics Are Saying About Round 2 of #OscarsSoWhite (NPR)

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